

The problem I’ve heard is that DS9 and VOY were shot directly to tape, and not film. This means that there is not a high resolution source to rescan. Another problem is that apparently the studio did not maintain an as shot copy before sfx. So even if it was possible to start with a studio quality master tape for the best source possible, you don’t have a clean version to reapply effects to.
ENT was shot in HD with an updated workflow as Broadcast TV standards had evolved.










That’s great to hear, and brings back hope that there is a chance. Like Dr Who, lost collections do exist if anything is missing. And fans will go to all sorts of lengths to recover source media if given the opportunity, just look at the animated show Reboot and what the teams are doing to rebuild the video equipment that was used in their processes.