lol. You out yourself by citing Red Letter Media as if that is anything to take seriously other than a source of potential mis/disinformation on any given topic.
I’ve been watching Trek since TOS was in first run. I’ve actually worked with real life military.
Your attitude and comments strongly suggest you have neither experience.
Current Star Trek is in no way less credible than the franchise was in any previous era of production. Yes, it’s making different choices for a different generation of audience but on balance it’s just as authentic.
“The Magicians in Space”, “Vampire Diaries in Space”, “Gossip Girl in Space”, you’ve got a million of these. I’d have trouble naming so many shows I don’t like. I forget about them pretty quickly because I just stop watching them and never engage with their fandom.
That’s genuinely very confusing. When someone tells me a show is like another show I like, but in space, that’s usually an endorsement. Gene Roddenberry literally pitched Star Trek as “Wagon Train in Space”.
I’d argue what defined Berman Trek in particular was being something uniquely high-minded and intelligent that was truly NOT [other series] in space by any measure. I also find it hard to believe that Wagon Train is terribly similar to OG Trek beyond people go place to place on a frontier, but maybe Wagon Train is way more cerebral and involves more strange fiction tropes than I would think, I’ve never seen it.
Haven’t seen Wagon Train either, but I’d guess Forbidden Planet and The Twilight Zone were actually bigger influences. But everything has some antecedent, no shame in that.
We’re only two episodes in, but yeah, I’d say SFA is angling for something pretty unique. Space setting aside, not many YA shows concern themselves with the nation-building of a failed state. I’m not hugely versed, but wrapping your second episode around a diplomatic conference seems pretty unusual for the genre.
lol. You out yourself by citing Red Letter Media as if that is anything to take seriously other than a source of potential mis/disinformation on any given topic.
I’ve been watching Trek since TOS was in first run. I’ve actually worked with real life military.
Your attitude and comments strongly suggest you have neither experience.
Current Star Trek is in no way less credible than the franchise was in any previous era of production. Yes, it’s making different choices for a different generation of audience but on balance it’s just as authentic.
Those choices are attracting an exponentially smaller audience, but like I said, you won, go enjoy Gossip Girl in space, its your franchise now.
“The Magicians in Space”, “Vampire Diaries in Space”, “Gossip Girl in Space”, you’ve got a million of these. I’d have trouble naming so many shows I don’t like. I forget about them pretty quickly because I just stop watching them and never engage with their fandom.
Something to consider.
They’re all great shows, which are not Star Trek.
That’s genuinely very confusing. When someone tells me a show is like another show I like, but in space, that’s usually an endorsement. Gene Roddenberry literally pitched Star Trek as “Wagon Train in Space”.
I’d argue what defined Berman Trek in particular was being something uniquely high-minded and intelligent that was truly NOT [other series] in space by any measure. I also find it hard to believe that Wagon Train is terribly similar to OG Trek beyond people go place to place on a frontier, but maybe Wagon Train is way more cerebral and involves more strange fiction tropes than I would think, I’ve never seen it.
Haven’t seen Wagon Train either, but I’d guess Forbidden Planet and The Twilight Zone were actually bigger influences. But everything has some antecedent, no shame in that.
Sure, but TOS is soooo much more than Twilight Zone in space. Is Kurtzman Trek really more than [insert YA series] in space?
We’re only two episodes in, but yeah, I’d say SFA is angling for something pretty unique. Space setting aside, not many YA shows concern themselves with the nation-building of a failed state. I’m not hugely versed, but wrapping your second episode around a diplomatic conference seems pretty unusual for the genre.