I have a no real strong feelings about this one. Kind of middle-of-the-road.

The domestic plotlines are something that this era of Doctor Who has done well. Casual references to “beating it out of you”, presumably referring to homesexuality, casual mysoginy. The final speech confronting the father about fascism is excellent and stands the test of time.

This is another episode where the pair of Doctor and Rose feel to have jumped around a bit. After last episode’s downer ending they’re all upbeat again. This has happened a few times this series. I really enjoyed Detective Rose being clever in this episode, without any prompting from the Doctor.

The monster of the week is kind of confusing and annoying. We’re not given a whole lot of motivation other than “it should have died, but it’s trying to come back” so it’s a ghost story without a ghost. I do not care for the fact that every big villain in DW seems to insist on screetching out a catchphrase: Exterminate. Delete. “Hungry” is particularly offputting. It makes the monster mechanical rather than something alive living in the airwaves. The colour TV joke was a nice bit. At the very end I’m not entirely sure what the Doctor’s plan involved, and how it was supposed to save everyone, but it worked and the episode ends with all the victims smiling and being happy even though they’ve just spend days(?) in non-corporeal hell.

One thing that stands out during a rewatch is the CGI of the people being sucked into the TV does not look anywhere near as creepy as I remember when watching this on a small CRT. I guess there’s something a bit meta about that, given the episode’s TV theme. Depending on the lighting, the faceless toe the line between genuinely creepy and immersion breaking. I could see this working well re-made to discuss mobile phones and being sucked into the internet.

This is a pretty average episode, and I don’t have a good sense for what people think of it in general, but I’ve always been fond of it for one reason: the domestic approach.

Eddie Connolly is an absolute cartoon character, but he’s a type of stock character that I like a lot. A petty tyrant in his own home, clearly a product of older times that are coming to an end, likely having experienced a fair amount of wartime trauma, who ultimately gets his comeuppance. Jamie Foreman’s performance is a little over-the-top, but in a way, that makes it work even better for me. He’s got so much impotent bluster, it really paints a picture. To a lesser extent, this expands out to the overall setting - this is a society in transition, and there’s a palpable tug-of-war between the old and the new that I find compelling.

The core plot with the Wire? Adequate. It does what it needs to do, and not much more. Maureen Lipman plays the character well, and the notion that the Wire was “executed” by their own people is interesting, but there’s not a lot to chew on.

Mark Gatiss seems to have a really good grasp of who the Tenth Doctor and Rose are - their dialogue, both together and separately, has a lot of energy. A fun random bit that I’m not sure I noticed before: when the Doctor is cornered by the police and does the bit about wrapping your hand around your elbow, the goon in the background tries it while Detective Inspector Bishop is trying to act intimidating.

Using an historic television signal to transmit to the masses is a good idea. Maybe the Doctor should keep that one in mind.